Monday, July 29, 2013

Current rig with pictures

Hi!

I showed you in a past post a connection diagram of my current rig. I will now complete the description with pictures of it.

The whole rig

The pedal board

The rack containing all gear not on pedal board

First shelf contains pedals and swithers before the ENGL head.
The wiring here is not so pretty :-)

Second shelf contains an ampswitcher and
pedals in the effects loop of the ENGL head. 

The almighty ENGL Powerball head :-)

The ENGL cabinet

The old Marshall cab I use to elevate the ENGL cab

Rock on!

Saturday, July 27, 2013

Tremolo stabilizer

Hi!

Today I finally replaced the Göldo Back Box in my BC Rich with a Hipshot Tremsetter! As you might have seen I have always used the Tremsetter before, but I got curious about the Back Box. Read the whole story here.

This is how the Back Box looked installed:


First I removed the Back Box, springs, and the old spring holder. I then installed the Tremsetter springholders.


Then comes the scary part of the installation :-D. To be able to install the Tremsetter you have to drill a hole in the guitar. 

This is how it looks when all is installed. The attentive reader can see that I changed the setup once during the installation. As the picture above shows I first installed the double spring holder and one of the single spring holder. This means that I had three springs in the setup. After test driving and adjusting I did not like the feel. It was to rigid. I therefore decided to remove one of the springs and hence you see only two singe spring holders in the following picture.


This is a close up showing the drilled hole and why you need that hole. The Tremsetter pin needs to go into the hole to fit into the cavity. The hole has to bee deep enough to swallow the pin when the whammy bar is lifted to the max.


Well, what can I say. Nothing beats the Tremsetter! I know that it is a little bit tricky to install and adjust, but if you know how to do it you end up with a really good whammy system. I like to have the tremsetter spring pretty much tightened so that the bending is fairly normal and uni bends requires no extra bend on the non bent note.This of cause requires more muscle to operate the whammy. But hey! I have no problem with that, I'm a viking!!



Rock on fellow guitarists, and the rest of you!

Wednesday, July 24, 2013

Second impression

Hi!

I can only say wow!! I found the key to the amp simulations in the Axe-Fx. I did not realize how close this thing is to a real rig. I experienced no real anger in the amps the last time, but what I just found out was that the master volume on the virtual amps sometimes was really low. And when I turned it up it worked exactly like it would irl, i.e. anger comes :-D. This discovery really changed everything!! Now I'm trying amp after amp with a cobstant smile on my face. I mean it's really awsome to dial in a modded plexi running on full throttle without disturbing the neighbours...   This is fun! I must continue now ... 

Tuesday, July 23, 2013

First impression

Hi again!

After unpacking the Axe-Fx and reading the quick-guide included from G66.eu, I hooked up the unit together with the MFC-101. Since we have a puppy in the house that needs supervision, I had to invade the office upstairs.


The sound system in this office is worthless. But this room is okay anyway since I can use my headphones, which is altogether a much better solution due to the late hours of testing :-)

Since the people at G66.eu already have configured the MFC-101 and the Axe-Fx for me it was very easy to get the system up and running. The only problem I had was with the expression pedal, it did not work at all. I used one of guitar chords to connect it to the MFC-101. After doing some reading in the manual (!!) I found out that you must use a TRS-cable, i.e. stereo cable, so that was probably the cause of the problem. I will buy a short TRS cable today and then it will probably work just fine.

I played through all the presets, all 383 of them!!! Turning effects on and off for every preset and listening. It was a tough job, but someone had to do it! After this I realized that you can build a huge variety of sounds with this babe. Normal and very natural sounding sounds can be accieved but also very complex and spacey ones. The effects sounded really nice but the crucial question to me was, can it really simulate a tube amp sound with the accurate playing feel? If it cannot do that I will keep my ENGL Powerball amp, so it better! The amps in the presets where nice, but non of them really delivered that slightly compressed sustain and fat mid tone for solos that I get from my Powerball. So the next step was to investigate the amp section further.

I tried some of the 83 amp simulations and looked at all the massive number of parameters that existed for each amp and fiddled with some of them. When I selected an amp it sounded rather good from start, but more nice then kick-ass-angry! Could the rest of the parameters provoke the amp in some way? Well the only way to find that out was to get an understanding for what the parameters did and try it out. So then I shut the thing off, grabbed the manual and headed outside in the Swedish summer with the dogs and read!

To be contined.....


Sunday, July 21, 2013

Comment!

Hi!

Please feel free to comment on my posts. I see that someone is reading them, but I would love some feedback!

Rock, and comment, on!

Testing of a new rig!

Hi!

I know I just the other day explained to you about my current guitar rig. Even though I did not include any pictures I'm pretty sure that you will believe me when I say that my current rig is rather large and weigh some heavy kilos :-(. I have also realized that so many components wired together makes a very sensitive system. Hum sometimes becomes a problem at some places and reassemble the rig after transporting easily makes it malfunctioning. And since it's a complex setup finding the error might take long time even though the error might be of simple character. Having said that, I love the sound of my rig and I think it's worth the hassle. But what  if I could have the sound and the versatility of my rig and at the same time somehow get rid of the hum problems and the sensitivity of the connections.

What about a good multieffects unit you might say. Yes, I've thought about that several times. But after testing, or just reading the manual, I've every time discovered two major problems.

  1. The feel of playing it. I'm talking about the amp and cabinet simulations. Even though the virtual amps might sound fairly good it feels really strange to play them. There is some interaction between the guitar and a good tube amp that the simulation models just don't handle. To me it is really important how the amp feels. A good tube amp can inspire you totally with how it is boosting, sustaining and feedbacking your notes. 
  2. I like to use effects in my sounds. Almost every multieffects unit I have looked at, until I gave up, have had some limitations when it comes to the order of the effects. The only effects I use after the gain stage in my amp are delay and reverb, all other effects are placed before the amp. An example: in the multieffects I've looked at they have placed all the modulation effects after the gain stage. I, and Eddie VH, use a phaser before distortion sometimes, that is impossible with these kind of multieffects. :-(


BUT! I stumbled on a multieffects unit a couple of years ago that claimed to have the tube amp feel covered in their simulations. It also claimed to have no restrictions what so ever about the order of the effects. A lot of effects where also covered, and not just the most common ones. The only problem was the prize tag :-(. It was, and is, a much more expensive unit than any other multieffects unit on the market.

Since I first discovered it I have seen that more and more people have started to use it. New models have also been introduced to the market that further enhances the experience. As you might have guessed I'm talking about the Axe FX from Fractal Audio.

The newest model Axe Fx II Mk2 looks really good on paper, but I have not heard it irl. There exists a lot of youtube movies that shows how good it sounds, and I agree with them. But still, you need to try one out to hear how it really sounds like and how it feels like playing it. In Europe there is only one distributor and they are selling it on the web, so trying one out in a store is impossible here. But the distributer in Europe, G66, has the policy that if you buy a unit and don't like it, you can return it. There sometimes exists some used Axe Fx units on ebay-like sites here in Sweden. But then I'm talking about the older versions. The version II Mk2 are twice as powerful as the old version, has a new more sturdy connector for the cable between the midi controller and the Axe FX and it acts as a sound card for you computer as well. So to be able to replace my ENGL Powerball it has to be good, so the version II it has to be.

A couple of days ago I received this:

A package from G66.eu!















One expression pedal with spring load


First package inside the package

10 m cable between the midi foot controller and the Axe Fx

A network adapter and the MFC-101 midi controller

The MFC-101 midi controller

The next package inside the first package

Another package inside that one. Well packed!!

From Fractal Audio this also ;-) ....

Take care of your customers! Make them feel at home!
A letter with first name on

A personal letter....

Finally the Axe Fx II Mk 2 unit

The whole shipment!


























So the next step on the agenda is to try this baby out!! The first impression is that everything is really heavy duty when it comes to the mechanical design. Really robust and sturdy!! Unfortunately I have not been able to take this babe out for a test drive yet, so I cannot give you a review about the sound, feel etc..

Soo, I have to leave you now and hook this babe up and give it a try!! I'll be back with the details!

Rock on!!

Thursday, July 18, 2013

My guitar rig right now

Hi!

I mentioned before that I was planning to show you my guitar rig. So today I will do that. 

The center of my guitar rig today consists of my ENGL Powerball 100 W head and my ENGL 4x12 standard slanted cabinet. I also have an old Marshall straight 4x12 cabinet at the bottom. I bought that just to have something to place the ENGL cabinet on so that I could hear it better. But I actually have it connected too. At my feet I have a pedal board with some pedals and a midi controller and in the back next to my amp I have a rack with two pull out shelves with some more pedals and the channel switcher for the amp. Almost everything is controlled by midi. Here is a schematic picture of the whole setup. I have disregarded the power supplies and all the power connections to make the picture readable :-).

On the pedal board all the signal cables are made with Lava Cable solder-free right angle pedalboard kits. That was a really nice and compact solution. All the wiring on in the rack is still done with normal right angle connectors soldered together by your's truly. This works but it is not by far as nice as the Lava Cable solution. I was thinking about replacing this wiring with Lava Cable, but it have to wait now of reasons I will tell you later. 

So how do I use this? Well, as I mentioned before everything is controlled by the G Lab GSC-2. I'm not going to even begin to tell you how I programmed the whole setup, but this is how I use it. I use 8 pedals on the GSC-2 to change sounds and the other two to navigate between the different banks in the GSC-2. The different banks have almost the same sound layout, but some aspect is different. E.g. one bank uses fuzz for all distorted sounds and one bank has phaser together with distorted rythm instead of the octave below etc. This is the base for the layouts, my most used one. 
Sound layout on the midi controller
One additional function is the possibility to control the tempo of the delay. This is done by repeatedly tapping on the same footswitch in sync with the tempo of the song. It does not matter on which footswitch, but not one used for bank navigation. This means that the tempo of the delay can be set even when the delay is not used. Nice!

Okay, this was a short description of my guitar rig. Alot of things, but it sounds nice and I have a lot of sounds at my disposal. 

Rock on! 


Wednesday, July 17, 2013

Guitar status!

Hi!

I just wanted to say how I love my BC Rich. Feels good and looks good too:





I just have to find time to put in the Tremsetter. After that it will be perfekt!!

Rock on!

Saturday, July 6, 2013

Another source of information

Hi!

Since I mentioned a YouTube channel for reviews here is another good one. David Wallimann has a really good channel here where he makes reviews, lessons and other nice to know information for a guitarist.

Funny demos etc

Hi again!

I just wanted to hint you about a channel on YouTube. A guy called Rob Chapman does some really funny demos etc. Check it out! Here is the one that triggered this post.

Rock on!


Mockingbird modification

Hi there!

I just wanted to mention that I could not cope with the sluggish volume control on my Mockingbird anymore. It was actually a month ago or so that I replaced it with a much quicker one. It was impossible to quickly change the volume between more calmer and heavier parts in a song. If I had time there was no problem, but I found out that I seldom have that time in the songs. I probably could have started to lift some weights and train my finger strength or so ;-) but why bother when a much easier solution is available.

I ran out of battery during rehearsals a couple of weeks ago and when replacing it I also added another battery in series so that my EMGs now run on 18 V.  I have that setup on a couple of my guitars and I like it. I was skeptical about this in the beginning, but I can actually hear a difference in headroom i.e less compressed sound. Even after my ENGL Powerball has chewed on the signal I still feel it. Okay, it's not a big difference, but it's there. I think I would not like the signal to be too dynamic either. I mean I love the sound I get out of the EMGs so why remove the characteristics from them. Running them on 18 V just enrich  the sound a little bit, but the main character is still there.

The Mockingbird had a smart pocket for the battery so I had to add the other battery in the space for the electronics. So now I have two lids to remove when changing batteries :-(. You have to sacrifice yourselves for sound quality :-)

New potentiometer and an additional battery!


















Have a nice summer everyone! If there is someone out there reading this???